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Gallery news, press and updates
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Pippa El-Kadhi Brown: Haunt
Ed Cross at 19 Garrett Street 25 April - 1 June 2024PV Wednesday April 24 // 6-8pm at 19 Garrett Street // RSVP View a list of available works *** Ed Cross is delighted to present Haunt, a solo show of... -
1-54 New York: Abdulrazaq Awofeso and Ugonna Hosten
1 - 4 May 2024Booth 29 // May 1 - 4 // Starrett-Lehigh Building, Chelsea, New York, NY *** Ed Cross presents two artists at 1-54 New York, both showing in the US for... -
Announcing: Joseph Awuah-Darko
Ed Cross is delighted to announce representation of British-born Ghanaian artist Joseph Awuah-DarkoEd Cross is delighted to announce representation of British-born Ghanaian artist Joseph Awuah-Darko. He will present a solo show of new and recent work at Ed Cross gallery in September... -
Announcing: Ugonna Hosten
Ed Cross is delighted to announce representation of Nigerian-born British artist Ugonna HostenFollowing the success of her solo exhibition chi; Altarpieces, Liturgy & Devotion at York Art Gallery , Ed Cross is delighted to announce representation of Nigerian-born British artist Ugonna Hosten... -
Mozambique’s Mário Macilau wins James Barnor prize – in pictures
November 23, 2023'This year’s winner of the James Barnor prize , which supports photography talent on the African continent and among the wider African diaspora, is Mário Macilau . The second edition... -
Anya Paintsil and Abdulrazaq Awofeso: Seven Buzzy Black British Artists You Need To Know Now
"Are Black British artists finally getting the attention that they deserve?" October 29, 2023'The Lagos-born, Birmingham-based artist Mr Abdulrazaq Awofeso is known for creating striking figurative sculptures out of discarded wooden shipping pallets as a metaphor for migration. His distinctive work ranges from... -
ArtReview: Sola Olulode: Burning, like the star that showed us to our love
October 2023 September 28, 2023'The paintings almost uniformly depict joyful intimacy, yet there’s a compelling friction on their surfaces and between the different materials deployed. In Sunlight (2019), translucent sheets of blue wax overlap... -
Leah Gordon's 'The Kingdom of This World | Triptych' acquired by Royal Museums Greenwich
Ed Cross is delighted to announce that Leah Gordon's The Kingdom of This World | Triptych - consiting of Vagabondaj Mawon: Sitadel (2019); Europe Supported by Africa and the Americas:... -
Liv Little in Conversation with Sola Olulode on her Solo Exhibition: Burning, like the star that showed us to our love
August 9, 2023'When we meet, Olulode’s studio is filled with the monochromatic schemes she has become widely recognised for – green, blue, yellow. She even has a speck of yellow paint on... -
Mário Macilau: My Best Shot, The Guardian
June 8, 2023'There’s a giant landfill site near Maputo, Mozambique’s capital city, that covers 42 acres and rises to 15 metres in height. Young men roam it hoping to find things that... -
The Next Big Thing? Here Are 6 Breakout Artists to Watch From the 1-54 Art Fair in Marrakech
February 10, 2023'Who: Awofeso is a Nigerian artist based in Birmingham. On view at the fair is a series of sculptural portraits of figures the artist encountered on two streets of the... -
FT Magazine, Gallery: Leah Gordon
January 21, 2023'As a nation, Haiti has used every cultural tool at its disposal to share its history', says photographer Leah Gordon, “from song to ritual, from drum-beat to dance step, from... -
Anya Paintsil: World of Interiors
November 1, 2022World of Interiors, December cover: Anya Paintsil's 'Blod', 2022. -
What I Buy and Why: Ed Cross on Collecting African Artists Before the Market Boom, and the £20,000 Jadé Fadojutimi Work
July 18, 2022'Ed Cross has been championing the work of African and African diaspora artists since he founded his eponymous gallery 13 years ago. A former artist himself, he has also long... -
Editors’ Picks: Six Standout Projects from Documenta 15
July 6, 2022'At the St. Kunigundis Catholic Church in Bettenhausen, Atis Rezistanz has staged an exhibition that is, at turns, haunting and ambitious in its artistic and historical scope. [...] Leah Gordon’s...
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